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ホームグランティ・データベース

グランティ・データベース

<span class="translation_missing" title="translation missing: ja.search_grantees">Search Grantees</span>グランティを検索/絞り込む

Mai ENDO

To study the embodied history and practice of Japanese American dancer Teiko Ito (1913–1958), investigating how “Oriental Dance” was transmitted and transformed across Indonesia, Japan, and the United States in the 1930s. Centered in Yogyakarta and Denpasar, Endo’s research will combine archival and oral history collections with dialogue and embodied practice involving local dancers and scholars, exploring how marginalized bodily knowledge and somatic techniques are translated and reconfigured across cultures. In particular, she seeks to reposition the practices of Japanese-American women dancers historically marginalized in wartime Japanese dance studies, examining how Asian diasporic bodies negotiated expressive possibilities under colonial cultural policies and global imaginaries. She aims to make overlooked practices visible and to offer new models and perspectives for intercultural knowledge exchange mediated through the body.

詳細はこちら

Atiqa KAWAKAMI & Kimi IDONUMA

To study alternative film networks in Asia, focusing on collectives that, under challenging political and social conditions, create spaces for screening, production, and education independent of commercial cinema. In Indonesia, they will learn about community management and engagement with local residents, while exploring collaborative workshops and screenings addressing colonial histories between Japan and Indonesia. In Thailand, they will visit Wiwat Lertwiwatwongsa and examine how he has developed screenings, a short film festival, and publishing activities in collaboration with organizations of various scales through the Bangkok Experimental Film Festival and the Filmvirus group. They intend to share their insights in ways that contribute to the development of a sustainable network of film collectives across Asia.

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Jessica Su-Yin KWOK

To research feminist historiography, performance, and time-based practices in Indonesia and Vietnam. Kwok will investigate feminist and feminized performance practices in the two countries, drawing on methodologies articulated by Indonesian art historian Wulan Dirgantoro. By engaging artists and scholars in Indonesia whose practices exemplify the feminist strategies Dirgantoro identifies, Kwok aims to learn how feminist performance emerged historically within Indonesian art discourse and how practitioners continue to navigate intersections of religion, politics, and agency. In Vietnam, she will meet artists and collectives whose works traverse ritual, domestic labor, and the politics of visibility to understand how feminized gestures and embodied practices articulate critical perspectives on gender, sovereignty, and social constraint. Kwok hopes to learn how feminist performance in both countries circulates through transnational exchanges and shared vocabularies of intimacy and desire.

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Li-chin Li

To conduct field research on the cultural roots, traditions, and historical creative practices of the sheng in China (Mainland), Indonesia, and Thailand. Li will trace and examine the historical development and cultural trajectories of Chinese ethnic sheng, Thai bamboo sheng, and the preservation of sheng craftsmanship in Indonesia. She will study instrument-making techniques with local sheng artisans, and shadow master craftsmen in sourcing raw materials in order to understand the cultural and ritual significance behind the instrument-making process. She aims to map a trans–Southeast Asian “cultural geography of the sheng,” whilst establishing connections with local art institutions to further deepen her understanding of sheng culture through cultural immersion.

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Britt MOSELEY

To explore shared models of making and collective learning and to study how creative systems form deeper attunement with one’s environment. Moseley’s audio-oriented, multidisciplinary research will engage Indonesian sound artists, artist collectives, and traditional performers to explore new models of creative exchange and collective learning. Through conversations, studio visits, attending performances, museum visits, and workshops, he hopes to learn how Indonesian communities treat making— pottery, puppetry, instrument building, or collective performance—as a form of shared perception and cultural continuity. Moseley’s fellowship will inform the next phase of his own practice, which is shifting toward collaborative, systems-based art grounded in ecology and community.

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Toni Shapiro-Phim

To research the experiences of women artists displaced from Myanmar and residing in Thailand. Shapiro-Phim will explore the lives of these displaced artists—how they express their reality, confront challenges, imagine alternative realities, and experience joy. She will visit centers, schools, and organizations established by and for people from Myanmar, especially those relevant to women artists, and seek opportunities to conduct interviews and observe classes, workshops, discussions, and artistic production. Shapiro also hopes to share her own works that relate to artists from Liberian and Cambodian refugee communities and stimulate conversations on creativity amidst great adversity.

To study and document Cambodian performing arts events during the annual Festival of the Waters in Phnom Penh in November 1992.

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Cheng-Han Wu

To research new play development systems and build connections with theatres in Indonesia, Thailand, and the Philippines. Through interviews, institutional visits, and onsite observations across the three countries, Wu will examine how storytelling practices differ between East and West, and across Asian cultures; what dramaturgical structures define Indonesia, Thailand, and the Philippines; and how Taiwanese dramaturgy fits within Asia’s wider narrative landscape. Wu will meet playwrights, dramaturgs, directors, and programmers of theater festivals over the course of his fellowship. He hopes the experience will open pathways for future cross-cultural collaborations and creative ventures and directly inform his dramaturgical practice.

To visit new play development centers in New York City and interview literary managers, resident dramaturgs, and playwrights-in-residence.

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HUANG Wanshan & LI Zhiyong

To continue research on “Overseas Chinese farms” that the Chinese government established in the 1950s for ethnic Chinese who were forcibly relocated from Southeast Asia to Mainland China. Huang and Li will examine the layered histories of Chinese diaspora communities in Southeast Asia, forced to relocate to farms in China between the 1950s-1970s. They will document how these specific migration patterns have shaped cultural preservation and identity formation. Their fellowship will focus on archival research at museums and Chinese clan associations, interviewing local Chinese community members, participation in events, and exchanging knowledge with Southeast Asia-based scholars and artists. Their research aims to address both the preservation and evolution of Chinese culture across global contexts.

詳細はこちら

Haruko KUMAKURA

To research Indonesia’s artists, institutions, and art spaces to deepen her understanding of emerging art hubs and the role of independent curators in Asia, building networks for sustained collaboration across regions.

詳細はこちら

TSAI Yi-Wei

To visit Indonesia’s Papermoon Puppet Theatre to explore their collaborative approach to puppetry and to conduct field research on traditional Indonesian puppetry forms—focusing on Wayang Potehi—and their link to Taiwanese glove puppetry.

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Bridge for the Arts and Education

To conduct a workshop series facilitated by five artists from Malaysia and Japan involving open rehearsals and artist's talks to explore the link between Asian performance and the theme of death and rebirth through philosophy, movement, and sound.

A music workshop and open forum for artists from Asia coming to Japan to participate in a production of the Mahabharata that will be held as part of the official cultural events for the 2021 Olympic Games in Tokyo.

A 6-month Organization/Project Grant to support a joint film project around Hiroshi Koike’s Mahabharata Series with participating artists from nine countries across Asia

to support cross-cultural workshops in Jogjakarta for performing artists from Japan and Southeast Asia to create a collaborative interpretation of the Mahabharata

詳細はこちら
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