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Absari HANIFAH

To explore recent advancements in textile and organic material conservation through research, interviews, and visits to leading conservation institutions in the United States. Hanifah hopes to develop her conservation skills and gain insights into conservation methods not yet practiced in Indonesia through museum visits, mentorship, and conversations with conservation experts in Los Angeles, San Francisco, and New York. Hanifah will commence her fellowship with a two-week engagement with a conservator colleague at the Los Angeles County Museum of Art. She also plans to visit the Getty Conservation Center, the Metropolitan Museum of Art, the de Young Museum, and the Asian Art Museum. Upon her return, Hanifah hopes to hold seminars and workshops to pass on the knowledge and skills she gains, empowering fellow new conservators.

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Otniel TASMAN

To deepen his artistic and intellectual understanding through direct encounters with various practices, performances, and archives related to the body, gender, and spirituality. Tasman will explore the historicity of the body and aesthetic difference through archival research, interviews, and performance observations, focusing on the Lengger traditional dance and queer performance. Through these experiences, Tasman aims to expand his understanding of how the body carries both history and possibility and how performance can act as a site of transformation for spirituality, queerness, and aesthetics. The fellowship will provide contemplative space and critical distance necessary for Tasman to reflect on his ongoing research and to reframe his practice within a broader cross-cultural and philosophical context.

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Yayasan Studio Klampisan Banyuwangi

To exchange practices in socially engaged art and performances with theater companies and professionals in Thailand. Studio Klampisan will organize a two-month series of exchange activities and dialogues seeking to compare their intermedial dramaturgy and community-oriented work methodologies with counterparts in Thailand, a country that also shares a complex history of democratization and similar pre-colonial cultural roots. They will conduct immersive ecosystem mapping in Bangkok, study the socially engaged art of the late artist-activist Thanom Chapakdee, and execute field visits and interviews from which they hope to learn how independent artists sustain their work and refine their own methodological framework. Studio Klampisan expects that the exchange will strengthen their organizational capacity, expand opportunities for regional dialogue and relationships, and promote others’ understanding of East Javanese perspectives.

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TAN Yubing

To research the evolution of Chinese puppetry over time and across various cities in Indonesia and in Penang, Malaysia. Over the course of her fellowship, Tan will visit key institutions, collections, and temples that offer valuable perspectives on the preservation and evolution of Chinese puppetry in Indonesia and Malaysia. Tan will explore how tradition and modernity intersect with this art form. In addition to these visits, she will meet with puppet masters, troupes, and artists collectives in the two countries. Tan hopes to understand how puppetry migrates and transforms under different cultural and political contexts and aims to find new ways to tell stories.

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Nursalim Yadi Anugerah

To observe and participate in the experimental music scene in New York, while learning how artists and institutions use sound-making as a tool of music diplomacy to help enhance communities and build bonds both locally and internationally.

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Bridge for the Arts and Education

To conduct a workshop series facilitated by five artists from Malaysia and Japan involving open rehearsals and artist's talks to explore the link between Asian performance and the theme of death and rebirth through philosophy, movement, and sound.

A music workshop and open forum for artists from Asia coming to Japan to participate in a production of the Mahabharata that will be held as part of the official cultural events for the 2021 Olympic Games in Tokyo.

A 6-month Organization/Project Grant to support a joint film project around Hiroshi Koike’s Mahabharata Series with participating artists from nine countries across Asia

to support cross-cultural workshops in Jogjakarta for performing artists from Japan and Southeast Asia to create a collaborative interpretation of the Mahabharata

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Ayos Purwoaji Surip Mawardi

To observe and participate in the vibrant contemporary art scene in New York by visiting various exhibitions and art spaces, in addition to meeting artists, curators, and thinkers.

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Endo Suanda

To complete a program of study leading to a Ph.d in ethnomusicology at the University of Washington

To continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington in summer 1994.

to continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington

To continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington during 1990-91.

Continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington during the 1989-90 academic year.

To continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington during the 1988-89 academic year.

Continue to study ethnomusicology in a program leading to the M.A. degree at Weslyan University, and attend performances and other cultural events in New York in fall 1982.

to continue to study ethnomusicology in a program leading to the M.A. degree at Wesleyan University and to attend performances and other cultural events in New York.

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Eko Supriyanto

to continue M.A. program at UCLA

To continue a program of study leading to the M.F.A. degree in the Department of World Arts and Culture at the University of California, Los Angeles

to continue a program of study leading to an M.F.A. degree

to continue a program of study leading to an M.F.A. degree

Graduate study in dance at UCLA

study leading to an M.F.A. degree in the department of world arts and cultures at the University of California

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