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Chien-Wei WU

To research the lives and artistic practices of choreographers Lai Hoi Ning and Mui Cheuk-yin (ACC 1989) and related temporal shifts in the ecology of Hong Kong’s performing arts sector. Wu’s research will focus on Lai Hoi Ning and Mui Cheuk-yin (ACC 1989) whose creations and artistic practices are deeply intertwined with Hong Kong’s history, reflect the essence of contemporary Hong Kong, and probe existential conditions faced by individuals and communities in response to their social environments. Through interviews, observations, and research into their works, Wu hopes to gain insights into how these artists perceive Hong Kong through their memories and creations.

to explore the contemporary dance scene of New York City and its development in reference to the other art forms

詳細はこちら

Sheu Fang Yi

To explore how, within a similar Asian physique, South Korea transforms its quiet traditional roots and innovative energy into a breathtaking vitality on stage and on camera. For this fellowship, "Seeing the Light of the Body," Sheu will be based in Seoul, closely observing how local performing arts practitioners develop highly energized forms of bodily expressions. She will engage with dance companies, theater productions, academic institutions, and film productions, immersing herself within their rehearsals and creative processes. Upon her return to Taiwan, Sheu plans to transform her cultural exchange experience into nutrients for her future creative methods and will share these insights through talks and workshops.

six-month fellowship to observe contemporary dance activities and collaborate with dancers and other artists in China and in the United States during 2006-2007

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I-Hsuen Chen

To enrich his creative practice by exploring how forms of video— including performative images and spatial composition within montage—function as an active performer on stage, serving unique aesthetic applications.

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Hsu Chia-Ming

To learn the traditional Japanese art forms focusing on Tokiwazu style Shamisen and Nihon-buyo, and by understanding their cultural context, to find further possibilities for the contemporary developments of traditional Taiwanese theater and music.

To collaborate virtually to explore the intersection of contemporary and traditional music.

詳細はこちら

Chen Wu Kang

To support research & development on collective/decentralized creative process through dance/video/lighting to explore artistic possibility and feasibility in the new normal.

for a six-month grant to observe and participate in contemporary dance activities in New York and to interview several leading choreographers and dancers in the U.S. in order to gain insight on their work

詳細はこちら
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