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Chien-Wei WU

To research the lives and artistic practices of choreographers Lai Hoi Ning and Mui Cheuk-yin (ACC 1989) and related temporal shifts in the ecology of Hong Kong’s performing arts sector. Wu’s research will focus on Lai Hoi Ning and Mui Cheuk-yin (ACC 1989) whose creations and artistic practices are deeply intertwined with Hong Kong’s history, reflect the essence of contemporary Hong Kong, and probe existential conditions faced by individuals and communities in response to their social environments. Through interviews, observations, and research into their works, Wu hopes to gain insights into how these artists perceive Hong Kong through their memories and creations.

to explore the contemporary dance scene of New York City and its development in reference to the other art forms

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Thuan Uyen Le

To research the networks, exchanges, and activities of Vietnamese and Southeast Asian contemporary artists in Hong Kong in the 1980s-1990s. Lê will conduct archival research that maps the historic activities, exhibitions, and artistic exchanges of Southeast Asian artists in Hong Kong, focusing on how they articulated their practices within a broader regional context. She also aims to visit and meet peers from Hong Kong art institutions to learn about their respective approaches to archiving, exhibition-making, and presenting key artistic figures and moments, and to share her own insights on the current art landscape in Vietnam. Lê hopes to deepen her understanding of regional artistic networks and histories, contributing to a more inclusive, critical, and dynamic engagement with art history.

Grant supplement to support curatorial residency at Triangle Arts Association.* *Uyen was placed at Art in General instead because Triangle director Laurel Ptak moved to AiG.

for a six-month grant to explore contemporary visual arts and curatorial practice in New York City.

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Yuske TANINAKA

To study how traditional Chinese medicine is practiced as treatment in everyday life in Hong Kong, focusing on how the body and its conditions are articulated in clinical language and how these practices coexist with contemporary medicine. Building on his research in Japan, South Korea, and Singapore, Taninaka will immerse himself in local clinical settings to strengthen the foundation of his ongoing project Time to Heal. Through lectures on pulse diagnosis and acupuncture, as well as weekly sessions with practitioners, he will learn case reasoning and maintain field notes attentive to language, touch, bodily technique, and temporality, informing his sculptural and choreographic practice. He aims to develop deeply embodied research methods and cultural understanding, enhancing future works while offering the public a perspective on East Asia through bodily technique and healing.

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University of Hong Kong

to provide support for a virtual program connecting musicians and composers at the University of Hong Kong and the U.S.-China Music Institute at the Bard College Conservatory of Music.

International travel and per diem for an exhibition titled Visual Narratives in a Cross-Cultural Perspective

Enable Joan Jeffri, professor of arts administration at Columbia University, to advise the University of Hong Kong and the Hong Kong Academy for Perfoming Arts on the development of an arts administration training program in Hong Kong.

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