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I-Hsuen Chen

To enrich his creative practice by exploring how forms of video— including performative images and spatial composition within montage—function as an active performer on stage, serving unique aesthetic applications.

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Evelyn YANG Ling

To explore American indie films, visual arts, and New York’s electronic music scene, learning from local artists to inspire and build a diverse film community in Taiwan.

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Esther LU

To engage with artists, collectives, and experimental communities in eco-villages and regions in Japan and India, to explore their ecological philosophies, land ethics, and structural challenges posed by international politics.

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CHEN Wei Chen

To study how Asian culture grows in, and intersects with Western societies, using New York City—a city rich in cultural diversity—as a base to experience the coexistence of order and chaos.

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TSAI Yi-Wei

To visit Indonesia’s Papermoon Puppet Theatre to explore their collaborative approach to puppetry and to conduct field research on traditional Indonesian puppetry forms—focusing on Wayang Potehi—and their link to Taiwanese glove puppetry.

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YEN Yu Ting

To explore the concept of "monumentality" across New York’s diverse cultural and artistic landscapes by visiting monuments and cultural landmarks to examine how they shape historical narratives and collective memory, as well as their materiality and aesthetic significance.

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Shao Yen Chen

To meet local contemporary artists, theater directors, and choreographers in New York, examining how the natural and urban environments impact their artistic work.

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Yi-Ming Chen

To continue study towards a Master of Fine Arts in Dramaturgy at Columbia University's Theatre program to expand his knowledge of theater and build connections with artists who resonate with his artistic vision.

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Po-Cheng Chu

To research and study the diverse and free-form expressions of Broadway theater (both on and off-Broadway) through extensive observations and exchange with the theater community, absorbing different forms of artistic expression and culture.

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Joyu Hsu

To conduct interdisciplinary ethnographic field research on Mongolian Shamanic culture covering rituals, music, and art with a focus on the Tsaatan, Darkhats, and Buryats in Mongolia.

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Yu Wen Hung

To conduct field research into the materials she utilizes for her work and deepen the conceptual aspects of her multidisciplinary sculptures, propelling her artistic vision through engaging with art critics, scholars, and curators.

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