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Ausen Lee

To visit different communities involved in independent art in Indonesia, history, reflective architecture, and culture in Hiroshima and Okinawa, and contemporary art in Thailand to understand the spirit of collaboration in different political situations and cultures.

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Jr-Shin Luo

To examine the innovative pathways for an artist’s career by being immersed in New York’s diverse art scene and observing the integration of art and culture with commercial applications.

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Chiao-Chi Chou

To visit research units in New York to explore the convergence between art, interdisciplinary technology and life sciences: “Interdisciplinary, Physiographical, and Hydrological Exploration and Cooperation Research Project.”

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Hsu Chia-Ming

To learn the traditional Japanese art forms focusing on Tokiwazu style Shamisen and Nihon-buyo, and by understanding their cultural context, to find further possibilities for the contemporary developments of traditional Taiwanese theater and music.

To collaborate virtually to explore the intersection of contemporary and traditional music.

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Hai Ming Wei

To promote cultural exchange as well as to observe, consult, and learn from scholars and artists in interculturalism to create new performance styles and develop techniques as a jingju (Chinese Opera) practitioner seeking to update the traditional art form.

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Cheng-Ta Yu

To explore the diverse and complex multiculturalism in New York in the contemporary media era through social observations on Asian issues, social classes, and international politics thereby nurturing a second artistic identity, the interdisciplinary and performative persona of FAMEME.

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Chia Hsun Yuan

To conduct field research on the Buddhist mural of Kucha (Xinjiang Uyghur Autonomous Region, China), Tabo and Alchi (Northern India), over a period of five months, to trace the historical practice of mural art within various cultural milieus.

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Zhan Zhang Xu

To explore the rich history of American film culture, video art, puppet shows, animated film, festival culture, and music in New York, and use the exchange experience for future development in paper craft animation.

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Chen Wu Kang

To support research & development on collective/decentralized creative process through dance/video/lighting to explore artistic possibility and feasibility in the new normal.

for a six-month grant to observe and participate in contemporary dance activities in New York and to interview several leading choreographers and dancers in the U.S. in order to gain insight on their work

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