Search / Filter GranteesTo conduct fieldwork in New York City and its suburbs to examine how residential spaces shape individual conditions and emotional states amid urbanization, exploring how Western modernity influences the relationship between space and individuals in a globalized context.
Learn MoreTo pursue a Doctor of Musical Arts at the University of Kentucky, continuing research to provide Indonesian audiences with an enriching experience of art.
Learn MoreTo pursue an MFA in Dance at Smith College to integrate traditional Filipino movement with contemporary dance, examining themes of identity, resilience, and transformation.
Learn MoreTo travel to Colorado to attend workshops at the Aspen Music Festival and School for two months in Summer 2025.
Learn MoreTo critically examine the methodology of “documentary acting” by carrying out a project entitled “01-25-1997" through meeting and portraying people who share tsu-tsu's date of birth in New York and proposing a new model of multicultural coexistence.
Learn MoreTo study how Asian culture grows in, and intersects with Western societies, using New York City—a city rich in cultural diversity—as a base to experience the coexistence of order and chaos.
Learn MoreTo visit northern Pakistan and study the region’s religions, histories, and way of life to understand how individuals navigate daily life within different geopolitical environments.
Learn MoreTo observe how different cultural communities promote picture book reading to adult readers and integrate picture books into academic discussions by visiting publishers, bookstores, and adult reading communities in Taiwan.
Learn MoreTo visit Indonesia’s Papermoon Puppet Theatre to explore their collaborative approach to puppetry and to conduct field research on traditional Indonesian puppetry forms—focusing on Wayang Potehi—and their link to Taiwanese glove puppetry.
Learn MoreTo explore the concept of "monumentality" across New York’s diverse cultural and artistic landscapes by visiting monuments and cultural landmarks to examine how they shape historical narratives and collective memory, as well as their materiality and aesthetic significance.
Learn MoreTo return to Cambodia, where he bore witness to the 1967 – 1975 civil war, and research the oral history, texts, images, music, and dance performances entwined with the atrocities of this time period through local interviews and artistic exchanges. Zhang plans to return to his hometown after more than half a century to conduct field research on the history of abandoned and massacred Chinese communities in Cambodia. He will interview survivors and their descendants, as well as engage in in-depth exchanges with local musicians, dancers and artists—spanning traditional, contemporary, royal, and folk forms. Before the generation of survivors passes away, he hopes to document their oral histories and reflect on this tragic history through writing, photography, and dance. This project will not only provide Zhang with profound inspiration and motivation, but also foster collaboration and dialogue with Cambodian artists, forming a foundation for his future creative work.
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