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Luis Antonio SANTOS

To explore traditional printmaking and emerging image-making technologies while engaging with museums, artist-run spaces, and small organizations. Santos will visit print studios, archives, libraries, and institutions that support printmaking practices, such as the International Center of Photography and Printed Matter, as well as attend exhibitions, open studios, talks, and public programs that reflect New York’s diverse and evolving approaches to art-making. He aims to understand how artists sustain their practice across contexts and evolving communities and Santos hopes to return to the Philippines with clearer direction and insights to share with his community.

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Yuske TANINAKA

To study how traditional Chinese medicine is practiced as treatment in everyday life in Hong Kong, focusing on how the body and its conditions are articulated in clinical language and how these practices coexist with contemporary medicine. Building on his research in Japan, South Korea, and Singapore, Taninaka will immerse himself in local clinical settings to strengthen the foundation of his ongoing project Time to Heal. Through lectures on pulse diagnosis and acupuncture, as well as weekly sessions with practitioners, he will learn case reasoning and maintain field notes attentive to language, touch, bodily technique, and temporality, informing his sculptural and choreographic practice. He aims to develop deeply embodied research methods and cultural understanding, enhancing future works while offering the public a perspective on East Asia through bodily technique and healing.

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Sara TSE & Shirley TSE

To engage with second- and third-generation members of the Hakka diaspora in Malaysia. Sara and Shirley Tse will learn Hakka histories through personal storytelling by residents in Perak Malaysia, where the Hakka Chinese community is concentrated, and retell these narratives in contemporary art forms. They plan to visit locations related to artifacts and stories passed down by their late mother, as starting points for their experience. This immersion will deepen their research with lived experience and expand diasporic histories.

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HUANG Wanshan & LI Zhiyong

To continue research on “Overseas Chinese farms” that the Chinese government established in the 1950s for ethnic Chinese who were forcibly relocated from Southeast Asia to Mainland China. Huang and Li will examine the layered histories of Chinese diaspora communities in Southeast Asia, forced to relocate to farms in China between the 1950s-1970s. They will document how these specific migration patterns have shaped cultural preservation and identity formation. Their fellowship will focus on archival research at museums and Chinese clan associations, interviewing local Chinese community members, participation in events, and exchanging knowledge with Southeast Asia-based scholars and artists. Their research aims to address both the preservation and evolution of Chinese culture across global contexts.

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I-Hsuen Chen

To enrich his creative practice by exploring how forms of video— including performative images and spatial composition within montage—function as an active performer on stage, serving unique aesthetic applications.

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Yuuki HORIUCHI

To research American artist Robert Smithson and his contemporaries, focusing on their works across the U.S. countryside, and examining their approach to making and presenting work between the urban and the remote.

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SO Lai Ping

To examine the visual interaction between Cantonese and English in San Francisco's diaspora communities, investigating linguistic transformation in cross-cultural contexts and how art bridges cultural memory and the evolution of language.

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ZHANG Ruyi

To conduct fieldwork in New York City and its suburbs to examine how residential spaces shape individual conditions and emotional states amid urbanization, exploring how Western modernity influences the relationship between space and individuals in a globalized context.

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CHEN Wei Chen

To study how Asian culture grows in, and intersects with Western societies, using New York City—a city rich in cultural diversity—as a base to experience the coexistence of order and chaos.

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YE Wuji

To visit northern Pakistan and study the region’s religions, histories, and way of life to understand how individuals navigate daily life within different geopolitical environments.

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YEN Yu Ting

To explore the concept of "monumentality" across New York’s diverse cultural and artistic landscapes by visiting monuments and cultural landmarks to examine how they shape historical narratives and collective memory, as well as their materiality and aesthetic significance.

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