I-Hsuen Chen
To enrich his creative practice by exploring how forms of video— including performative images and spatial composition within montage—function as an active performer on stage, serving unique aesthetic applications.
詳細はこちらグランティ・データベース
グランティを検索/絞り込むEvelyn YANG Ling
To explore American indie films, visual arts, and New York’s electronic music scene, learning from local artists to inspire and build a diverse film community in Taiwan.
詳細はこちらEsther LU
To engage with artists, collectives, and experimental communities in eco-villages and regions in Japan and India, to explore their ecological philosophies, land ethics, and structural challenges posed by international politics.
詳細はこちらCHEN Wei Chen
To study how Asian culture grows in, and intersects with Western societies, using New York City—a city rich in cultural diversity—as a base to experience the coexistence of order and chaos.
詳細はこちらTSAI Yi-Wei
To visit Indonesia’s Papermoon Puppet Theatre to explore their collaborative approach to puppetry and to conduct field research on traditional Indonesian puppetry forms—focusing on Wayang Potehi—and their link to Taiwanese glove puppetry.
詳細はこちらYEN Yu Ting
To explore the concept of "monumentality" across New York’s diverse cultural and artistic landscapes by visiting monuments and cultural landmarks to examine how they shape historical narratives and collective memory, as well as their materiality and aesthetic significance.
詳細はこちらXiao-Xiong ZHANG
To return to Cambodia, where he bore witness to the 1967 – 1975 civil war, and research the oral history, texts, images, music, and dance performances entwined with the atrocities of this time period through local interviews and artistic exchanges. Zhang plans to return to his hometown after more than half a century to conduct field research on the history of abandoned and massacred Chinese communities in Cambodia. He will interview survivors and their descendants, as well as engage in in-depth exchanges with local musicians, dancers and artists—spanning traditional, contemporary, royal, and folk forms. Before the generation of survivors passes away, he hopes to document their oral histories and reflect on this tragic history through writing, photography, and dance. This project will not only provide Zhang with profound inspiration and motivation, but also foster collaboration and dialogue with Cambodian artists, forming a foundation for his future creative work.
詳細はこちらBangkok Art and Culture Centre
To support CULTIVATE, a professional development program for curators and arts managers, bringing world-renowned curatorial faculty to Bangkok to host and participate in intensive workshops and mentorship.
詳細はこちらShao Yen Chen
To meet local contemporary artists, theater directors, and choreographers in New York, examining how the natural and urban environments impact their artistic work.
詳細はこちらYi-Ming Chen
To continue study towards a Master of Fine Arts in Dramaturgy at Columbia University's Theatre program to expand his knowledge of theater and build connections with artists who resonate with his artistic vision.
詳細はこちらPo-Cheng Chu
To research and study the diverse and free-form expressions of Broadway theater (both on and off-Broadway) through extensive observations and exchange with the theater community, absorbing different forms of artistic expression and culture.
詳細はこちらJoyu Hsu
To conduct interdisciplinary ethnographic field research on Mongolian Shamanic culture covering rituals, music, and art with a focus on the Tsaatan, Darkhats, and Buryats in Mongolia.
詳細はこちら
ACC New York
ACC New York
ACC New York
ACC New York