Crossing Borders Music Collective
To travel to Kutupalong Refugee Camp in Bangladesh to meet Rohingya refugee musicians, learn about Rohingya music, and exchange ideas about music education.
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Search / Filter GranteesDon't Follow the Wind
To support American artist and curator contributions, conducting on-site research and interacting with displaced residents, for the Don't Follow the Wind exhibition through planning and development.
A 1-month grant supplement to adapt a disrupted project to enable U.S. and Japanese artists and curators to carry out research in Japan and through online meetings in connection with the English publication Don’t Follow the Wind, examining community and artistic responses to the ongoing crisis in the Fukushima Exclusion Zone
To enable three Americans to undertake research in Japan, in order to lay the groundwork for the first English publication on the the "Don't Follow the Wind" project
Learn MoreAlexander Dubovoy
To collaborate and produce music with musician Katherine Whatley and sake brewer Kazuyo Fukao based on traditional sake production practices and field recordings.
Learn MoreKate Fowle
a three-week fellowship to carry out research on curatorial practices in China, Taiwan, and Korea
Learn MoreGus Holley
To study, rehearse, and perform with prominent Tang music revivalists, Zhang Yi and Xu Ge.
Learn MoreHsin-Yun Huang
To travel to several indigenous villages in Taiwan, with the assistance of a local guide, and seek permission to record video performances of their music, folk singing & dancing, and offer her own playing in return.
Learn MoreCeline Katzman
To research social and political conditions impacting contemporary artists working in new media, performance, and alternative education in Singapore.
Learn MoreBenjamin Kimitch
To embody classical dance forms and shadow performing artists Yasuko Yokoshi and Fumiya Otonashi on their daily studio practice and artistic craft, grounded in Nihon Buyo recital dance and Gagaku court performance traditions.
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To research how ancient spiritual practices co-exist in modern cities like Tokyo by understanding traditions of itakos (blind female seers) and energy reiki healers, and how they fit into remote and urban areas of Japan.
Learn MoreKimi Maeda
To transform an abandoned house (akiya) in Japan's rural Shimane Prefecture into an immersive performance piece and oral history collection for the project, "Ichi Oku House" (一憶ハウス ).
Learn MoreKoto Maesaka
To visit Hokkaido Province, Iwate Prefecture, and Tokushima Prefecture connecting with universities, local organizations, wadaiko (traditional Japanese drums) makers, and experiencing local dance festivals to connect with artists and organizers.
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