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18th Street Arts Center

to support a two-month residency in May and June 2015 for Malaysian artist Kamal Sabran

to support a two-month residency for Tibetan artist Tsering Nyandak in 2010

To support artist in residence from Korea (Oak Jung Ho) in winter 2008/spring 2009

Two month residency for Margaret Bong

To support a residency for a visiting artist from Korea, Jee-Eun Pak, from November 1, 2007 through December 30, 2007

support participation of Korean artist Min Jung-Kim in 18th Street Arts Complex's international residency program for three months in fall 2004

Support a residency for Indonesian artist Popok Tri Wahyudi

Support for Tatsuo Inagaki's residency

Support for a residency by artist Meng-Sheng Lee

Support for Japanese artist Tatsuo Inagaki

Residency for two Taiwan Artists at 18th Street Arts Complex

Support for Rogues Gallery artists

For Clayton Campbell to survey art activities in Japan and Taiwan

Support for a three-month residency by Miwa Yanagi

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I Nyoman Catra

to collaborate with American choreographer Wally Cardona in New York City in May and June 2014

grant renewal to complete Ph.D degree at Wesleyan University

Ten-month fellowship to continue study in a program leading to the Ph.D degree in ethnomusicology at Wesleyan University

Renewal for 2002-2003 academic year

partial support to continue Ph.D program at Wesleyan University

To complete the program of study leading to the M.A. degree in theater at Emerson College in 1995-96.

To support travel and health insurance expenses for Catra and family in connection with your 1993-94 granduate degree study program at Emerson College.

To continue to study theater in a program leading to the M.A. degree at Emerson College in 1994-1995

To begin a program of study in theater leading to the M.A. degree at Emerson College, beginning September 1993.

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Sourav Chakma

to support a journey by a Bangladeshi musician to the United States for research on Native American music traditions, preservation of musical forms, and the evolution of traditional musical practices.

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Cleveland Museum of Art

to enable Japanese conservator Sukesaku Wakiya to travel to the Cleveland Museum of Art, in order to lead the restoration of a masterpiece of Korean painting, Gibbons on a Landscape

Cleveland, Ohio: to support participation of two representatives from the Nanjing Museum in overseeing the retrospective exhibition The Art of Fu Baoshi at the Cleveland Museum of Art from September 2011 through April 2012.

Support travel to American museums and collections by Guoquiang Shan, curator of Chinese paintings, Palace Museum, Beijing.

Enable Shinichi Miyajima and Naoya Adachi, Fine Arts Division, Agency for Cultural Affairs, Tokyo, to accompany the exhibition Reflections of Reality in Japanese Art held at the Cleveland Museum in spring 1983.

Provide support for Asian participation in the International Symposium on Chinese Painting held at the Cleveland Museum in March 1981 in conjunction with the exhibition Eight Dynasties of Chinese Painting organized jointly by the Cleveland Museum and The Nelson-Adkins Museum of Art, Kansas City.

to enable Ling-yün Shih Liu, art historian, Taipei, to conduct research for a catalogue of the Chinese painting collection of the Cleveland Museum of Art and to prepare an exhibition catalogue to accompany a show of Chinese painting being organized jointly by the Cleveland Museum of Art and the William Rockhill Nelson Gallery and Atkins Museum of Fine Arts, Kansas City, scheduled to open in Cleveland in July 1979

to provide support for the organization of the exhibition Masterpieces of World Art from American Museums, selected under the auspices of the Museum Interchange Subcommittee of the United States-Japan Conference on Cultural and Educational Interchange (CULCON) and shown at the National Museum of Western Art, Tokyo, and the Kyoto National Museum, September-December 1976, in celebration of the bicentennial of the United States.

to provide support for a symposium held in conjunction with the exhibition Chinese Art Under the Mongols, October 1968, and to enable the following specialists in Chinese art to participate in the symposium: James Cahill, Department of Art, University of California, Berkeley, Unites States; Margaret Medley, Percival David Foundation of Chinese Art, London, England; Kei Suzuki, the Institute of Oriental Culture, Tokyo University, Japan; Beatrix von Ragu.

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