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Gantuya Badamgarav

To explore small- and large-scale contemporary arts organizations to understand their distinct visions, cultures, structures, operating and funding mechanisms, and programs.

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John Alexis Balaguer

To explore museums, galleries, and art spaces in New York to study exhibition writing and engage with artists, gallerists, and cultural workers, aiming to have a deeper understanding of art criticism.

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Maria Patricia Bernas

To continue pursuing a Master of Science in Dance Movement Therapy at Sarah Lawrence College, training to create more inclusive approaches to dance and movement.

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Shailee Snehalbhai Bhagat

To pursue a Master of Science in Historic Preservation at the University of Pennsylvania, learning U.S. preservation practices with a focus on design and policy to better understand the gaps in India's urban heritage preservation practice.

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Shao Yen Chen

To meet local contemporary artists, theater directors, and choreographers in New York, examining how the natural and urban environments impact their artistic work.

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Yi-Ming Chen

To continue study towards a Master of Fine Arts in Dramaturgy at Columbia University's Theatre program to expand his knowledge of theater and build connections with artists who resonate with his artistic vision.

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Wai Chong

To conduct research into the performance art scene, particularly observing the practices around Asian diaspora communities, and studying the history of how Asian bodies are portrayed in art.

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Po-Cheng Chu

To research and study the diverse and free-form expressions of Broadway theater (both on and off-Broadway) through extensive observations and exchange with the theater community, absorbing different forms of artistic expression and culture.

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Bontaro Dokuyama

To learn about artistic practices in a multinational country, and research the history and cultural transmission of Japanese immigrants in the United States from the Meiji Restoration through World War II and the present.

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Mariska Febriyani

To contribute to the advancement of the Indonesian dance scene after an immersive experience in New York’s vibrant dance world and professional dance management scene.

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Antonette Go

To attend classes in New York and acquire innovative techniques to empower local artists and foster narratives rooted in experiences, contributing to the enrichment of the Philippine cultural landscape.

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