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Bao Chau Nguyen Phuoc

To gain knowledge in art conservation through New York’s rich cultural landscape by visiting art institutions and archives to closely examine vintage propaganda posters produced by the Republic of Vietnam (South Vietnam), c.1955-1975.

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Archie Luigi Oclos

To conduct research within Coney Island where Philippine indigenous tribes were once paraded as savages in 1905, aiming to rediscover the experience of forced diaspora, generational trauma, and racial & historical injustice brought upon Filipinos.

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Jo-Lene Ong

To research artistic practices and projects that build or imagine Ecologies of Resilience such as errant movements and transnational solidarities by visiting art institutions and events in and around New York.

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Ankit Pandey

To pursue a Master of Fine Arts in Lighting Design at the David Geffen School of Drama at Yale University, learning about immersive and environmental visual design techniques along with performance lighting.

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Suzy Park

To consider what indigeneity is and how the concept of indigeneity can redefine the existing framework of curatorial research by meeting with American indigenous artists and revisiting their heritage.

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Aina Ysabel Ramolete

To pursue a Master of Fine Arts in Puppet Arts at the University of Connecticut to formalize her knowledge of puppetry and share these learnings with fellow artists and practitioners in the Philippines.

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Renu Savant

To study the history and culture of avant-garde/non-narrative film in New York by visiting historical and present experimental film collectives and archives, studying journals, attending exhibition spaces, and meeting with relevant scholars.

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Tomoko Seki

To conduct research on theater in the United States for a comparative study with Europe and Japan to understand the characteristics of Japanese, European, and American plays.

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Pharel Silaban

To pursue a Doctor of Musical Arts at the University of Kentucky, continuing research to provide Indonesian audiences with an enriching experience of art.

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Endo Suanda

To complete a program of study leading to a Ph.d in ethnomusicology at the University of Washington

To continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington in summer 1994.

to continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington

To continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington during 1990-91.

Continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington during the 1989-90 academic year.

To continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington during the 1988-89 academic year.

Continue to study ethnomusicology in a program leading to the M.A. degree at Weslyan University, and attend performances and other cultural events in New York in fall 1982.

to continue to study ethnomusicology in a program leading to the M.A. degree at Wesleyan University and to attend performances and other cultural events in New York.

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Eko Supriyanto

to continue M.A. program at UCLA

To continue a program of study leading to the M.F.A. degree in the Department of World Arts and Culture at the University of California, Los Angeles

to continue a program of study leading to an M.F.A. degree

to continue a program of study leading to an M.F.A. degree

Graduate study in dance at UCLA

study leading to an M.F.A. degree in the department of world arts and cultures at the University of California

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