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Soft power – How Textiles Can Talk Back

2021年02月03日

Textiles have long been a vehicle for protest and resistance, from the embroidered tapestries made by Chilean women during the Pinochet dictatorship to the monumental quilt memorializing those who died in the AIDS pandemic. This talk, hosted by Crafts magazine, will explore fiber art’s relationship with politics and activism, and the makers and artists – both historical and contemporary – who use it to call for social change. Moderated by curator Dominique Heyse-Moore (The Whitworth Art Gallery), this panel includes Anya Paintsil, Ibrahim Mahama, and Aram Han Sifuentes (ACC 2019).

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Taiwan Biennial 2020 Online Symposium: The Return of Folk Beliefs in Contemporary Art Practice

2021年01月27日 - 2021年01月28日

National Taiwan Museum of Fine Arts (NTMoFA) and ACC Taiwan have partnered for Taiwan Biennial 2020 Online Symposium with Lê Thuận Uyên (ACC 2016), Tseng Chien-Ying (ACC 2017), and Tan Kian-Ming, moderated by ACC Taiwan Director Rita Chang...

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Chapter Two of A Composite Leviathan

2021年01月23日 - 2021年03月13日

Curated by James Elaine (ACC 2007), founder of Telescope, a non-profit art space in Beijing, the exhibition draws its title from Yang Jian’s monumental sculpture, “A Composite Leviathan”...

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富井玲子氏講演会

2021年01月13日

美術史家の富井玲子氏の令和2年度文化庁長官表彰を記念して、1月13日19時からオンライン講演(ウェビナー)が行われます。

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PlayBAC: Kota Yamazaki

2020年12月15日 - 2020年12月17日

Japanese-born, New York-based choreographer Kota Yamazaki (ACC 1997) was in residence at BAC in 2016 to develop the second part of his Darkness Odyssey trilogy: I or Hallucination...

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Good Bones

2020年11月20日 - 2020年11月18日

"Good bones tell stories. Good bones connect us across the ephemeral nature of time, to something that was, but no longer is. They carry cultural baggage in the way they insinuate judgments of good and bad. Think good bones as in the strength of an older building or architectural space. Think of the eugenics of "good bones". Bones are something that remain. They are mysterious in what they do not tell us, and a bit metaphysical in the way they embody what is no longer really "here". In this new exhibition by the intergenerational group, Spliced Connector, we explore this overarching idea. Endemic to it is the notion of the architectonic quality that is conceptually present in all artwork. An idea in artwork is like the "good bones" of a house. A solid foundation is something that will support a superstructure built above. Following our Summer exhibition, "Under the Skin", Good Bones expands on the metaphorical idea of the human body. Our bones are what hold us up, allow us to move. Our bones give us a dynamic, physical presence in this world. Artwork is like a human body: it allows our minds to expand, take a walk, move about within our imaginative capacities. Good bones in artwork provides the bedrock for an expanding, engulfing conversation about whatever an artist is considering within the visual language. Good bones is all about those of us who have taken the time to learn the history of this complex language, and use it on purpose, saying what we can only say within the visual language. Good Bones supports the ideational and aesthetic playground that expands the human experience into upper dimensions." [Note: ACC grantee 'Elaine Wang' is a.k.a. 'Frog the Parhelia']

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Local Drama/World Stage (Lakon Nasional/Lakon Dunia) part of Lontar Literary Festival

2020年11月14日 - 2020年11月15日

There is no denying that Western theater has strongly influenced the development of modern Indonesian theater in Indonesia but does this mean that Indonesian dramatists have not delved into indigenous theatrical traditions as a source for the enrichment of their plays?...

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VIVA EXCON Visayan Artists Exhibit and Conference 2020

2020年11月11日 - 2020年12月20日

Now on its 16th iteration,  the Visayas Islands Visual Arts Exhibition & Conference (VIVA ExCon 16) recalibrates the festival program to bring together and engage creative spirits in an interactive virtual dynamics online and rise to the challenge of the times...

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