WOMEN我們: From Her to Here
2021年02月19日 - 2021年08月28日
Chinese Culture Center (ACC 2019) hosts its third iteration of WOMEN我們, an ongoing series exploring feminism, gender diversity, and sexual equality...
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Chinese Culture Center (ACC 2019) hosts its third iteration of WOMEN我們, an ongoing series exploring feminism, gender diversity, and sexual equality...
イベントを見るA 90 minute conversation between artists Bri Simpson, Frog the Parhelia (ACC 2016), Tattfoo Tan and Simone Johnson...
イベントを見るTextiles have long been a vehicle for protest and resistance, from the embroidered tapestries made by Chilean women during the Pinochet dictatorship to the monumental quilt memorializing those who died in the AIDS pandemic. This talk, hosted by Crafts magazine, will explore fiber art’s relationship with politics and activism, and the makers and artists – both historical and contemporary – who use it to call for social change. Moderated by curator Dominique Heyse-Moore (The Whitworth Art Gallery), this panel includes Anya Paintsil, Ibrahim Mahama, and Aram Han Sifuentes (ACC 2019).
イベントを見るNational Taiwan Museum of Fine Arts (NTMoFA) and ACC Taiwan have partnered for Taiwan Biennial 2020 Online Symposium with Lê Thuận Uyên (ACC 2016), Tseng Chien-Ying (ACC 2017), and Tan Kian-Ming, moderated by ACC Taiwan Director Rita Chang...
イベントを見るCurated by James Elaine (ACC 2007), founder of Telescope, a non-profit art space in Beijing, the exhibition draws its title from Yang Jian’s monumental sculpture, “A Composite Leviathan”...
イベントを見るSpotlight on Chitra Ganesh organized by Aziz Sohail (ACC 2019, 2020) at the South Asia Institute...
イベントを見るJapanese-born, New York-based choreographer Kota Yamazaki (ACC 1997) was in residence at BAC in 2016 to develop the second part of his Darkness Odyssey trilogy: I or Hallucination...
イベントを見る"Good bones tell stories. Good bones connect us across the ephemeral nature of time, to something that was, but no longer is. They carry cultural baggage in the way they insinuate judgments of good and bad. Think good bones as in the strength of an older building or architectural space. Think of the eugenics of "good bones". Bones are something that remain. They are mysterious in what they do not tell us, and a bit metaphysical in the way they embody what is no longer really "here". In this new exhibition by the intergenerational group, Spliced Connector, we explore this overarching idea. Endemic to it is the notion of the architectonic quality that is conceptually present in all artwork. An idea in artwork is like the "good bones" of a house. A solid foundation is something that will support a superstructure built above. Following our Summer exhibition, "Under the Skin", Good Bones expands on the metaphorical idea of the human body. Our bones are what hold us up, allow us to move. Our bones give us a dynamic, physical presence in this world. Artwork is like a human body: it allows our minds to expand, take a walk, move about within our imaginative capacities. Good bones in artwork provides the bedrock for an expanding, engulfing conversation about whatever an artist is considering within the visual language. Good bones is all about those of us who have taken the time to learn the history of this complex language, and use it on purpose, saying what we can only say within the visual language. Good Bones supports the ideational and aesthetic playground that expands the human experience into upper dimensions." [Note: ACC grantee 'Elaine Wang' is a.k.a. 'Frog the Parhelia']
イベントを見るThere is no denying that Western theater has strongly influenced the development of modern Indonesian theater in Indonesia but does this mean that Indonesian dramatists have not delved into indigenous theatrical traditions as a source for the enrichment of their plays?...
イベントを見るNow on its 16th iteration, the Visayas Islands Visual Arts Exhibition & Conference (VIVA ExCon 16) recalibrates the festival program to bring together and engage creative spirits in an interactive virtual dynamics online and rise to the challenge of the times...
イベントを見るJoin Jen Bervin (ACC 2016) on Wednesday, October 28 for a screening of Su Hui’s Picture of the Turning Sphere, and discussion...
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