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Sherwin YANG

To study Japanese traditional music in Tokyo, focusing on Noh and supplemented by Kabuki Nagauta. The main focus of Yang’s three-month fellowship to Japan is Noh. He will study individually with Noh masters and integrate himself in groups studying traditional music, such as amateur ensembles like Tesarugaku no Kai and university Noh clubs. Yang will also explore techniques to innovate Noh in other languages with the aim of creating Mandarin-scripted Noh. Through immersive engagement with local communities and intensive fieldwork, Yang aims to build networks within the Japanese music scene and lay the foundation for future cross-cultural music production collaborations and academic research.

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Alex YIU

To research New York’s underground queer experimental music scene and develop comparative perspectives on experimental club cultures. Yiu will immerse himself in New York’s experimental and queer music communities, attending events at established venues, as well as grassroots and queer spaces. Yiu will also join workshops, reading groups, and community discussions to understand how artists and organizers create safety, access, and collective care in nightlife. He plans to have conversations with musicians, producers, and writers about queer nightlife, grassroots music label ecology, and DJ communities, and especially how the Asian diaspora and New York club culture intersect. An innovator, Yiu anticipates that the experience will influence his future projects in music and contemporary art.

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Karen YU

To explore New York’s ecosystem of independent artists and entities, cross-disciplinary communities, and institutions, examining how support structures and audience engagement shape creative practices in performance and sound. Yu’s research will focus on how organizations of different scales collaborate, sustain artistic production, and cultivate audiences open to experimental or unfamiliar listening. Performances, exhibitions, public programs, and informal gatherings will serve as key sites of study, while conversations with artists, curators, and programmers will offer insight into support systems and community-building approaches shaped within the dense environment of New York. Insights into these curatorial strategies and listening-focused experiences will inform her curatorial practice and efforts to develop inclusive, accessible listening spaces and approaches.

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Wataru MUKAI

To explore how queerness is represented and activism is carried out in the contemporary music and art scenes in New York, reconsidering their own creative practice through interactions with drag performers and queer artists in New York.

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Nursalim Yadi Anugerah

To observe and participate in the experimental music scene in New York, while learning how artists and institutions use sound-making as a tool of music diplomacy to help enhance communities and build bonds both locally and internationally.

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Alexander Dubovoy

To collaborate and produce music with musician Katherine Whatley and sake brewer Kazuyo Fukao based on traditional sake production practices and field recordings.

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Hsin-Yun Huang

To travel to several indigenous villages in Taiwan, with the assistance of a local guide, and seek permission to record video performances of their music, folk singing & dancing, and offer her own playing in return.

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