グランティ・データベース

Nut Brother

• 2026
• Visual Art
• China から Bangladesh

To visit climate-conflict zones, examine the impact of climate-related disasters, and advance connections and knowledge sharing, focused on environmental challenges. Nut Brother will visit displaced residents, artists, and NGOs in Dhaka and other climate-conflict zones in Bangladesh, a country facing some of the most severe effects from the global climate crisis. He hopes to learn responsive aid initiatives and artistic practices through these communities’ stories and discuss the concrete manifestations and impact of the climate crisis. Building genuine connections and exchanging practical knowledge and gaining insights on these environmental challenges will inform Nut Brother’s eventual goal of launching a “Climate Creativity Alliance” – a cross-disciplinary platform connecting artists, NGOs, and experts to conduct climate research, organize workshops, explore creative approaches, and mobilize public participation.

Yen Tzu CHANG

• 2026
• Visual Art
• Taiwan から United States

To explore advanced sound synthesis techniques, AI applications in sound creation, and connections between ecology and sound art. Chang’s fellowship will focus on exchanges with peer professionals, immersion in New York’s sound art scene, and fieldwork documenting urban soundscapes. She aims to meet with sound artists, curators, and art and technology institutions to better understand how New York’s artists create in such a diverse, urbanized environment, the issues they address, and how sound artists intervene in public spaces. Engaging with biologists and environmental researchers and documenting local soundscapes, Chang seeks to explore urban animal conditions and sound as ecological documentation. She hopes the fellowship will yield new perspectives for her practice, bring Taiwanese ecological concerns and sonic aesthetics into global dialogue, and foster cross-border connections.

Kaichun CHIANG

• 2026
• Visual Art
• Taiwan から Korea

To explore how prehistoric ritual landscapes can inspire contemporary art through comparative research of Taiwan’s Bei-nan site with South Korea’s Dolmen heritage. Through on-site visits, archival study, and interviews with local scholars and cultural practitioners, Chiang will explore how these prehistoric religious and ceremonial structures can inform contemporary artistic revitalization. Chiang seeks to understand how prehistoric people in both places built their worldviews, honored their ancestors, and shaped their communities. By reinterpreting these ancient stone monuments through a creative practice, Chiang’s fellowship will foster cultural exchange while generating new perspectives on Taiwan’s prehistoric and Austronesian heritage within a broader Asia-Pacific context.

Khwanchira (Nual) CHINDAMANEE

• 2026
• Visual Art
• United States から Taiwan

To research and contribute to the preservation of hup taem murals in Isan, Thailand. Over a six-month period, Chindamanee will interview and collaborate with scholars and artisans with expertise in mural preservation, survey murals at local temples to understand and document the historical and methodological aspects of hup taem, and engage with local communities to understand and document the cultural significance of these artworks. Chindamanee hopes to synthesize her findings to develop a community workshop that can raise awareness of the significance of these murals and help preserve the community's cultural heritage.

TAKIDO Dorita

• 2026
• Visual Art
• Japan から United States

To research interconnected environmental challenges such as climate change and biodiversity loss, and practices of environmental care and coexistence in New York. Takido will conduct research through dialogues, interviews, and visits with communities that connect nature and art, including museums, community gardens, urban agriculture, bio-labs, and environmentally oriented art projects, while participating in citizen-led initiatives that pursue holistic approaches to ecology and sustainability. Through conversations with artists, researchers, local residents, and participants in educational programs, she will examine the structures of these practices and modes of access, and reflect on them in relation to the situation in Japan.

Mai ENDO

• 2026
• Visual Art
• Japan から Indonesia

To study the embodied history and practice of Japanese American dancer Teiko Ito (1913–1958), investigating how “Oriental Dance” was transmitted and transformed across Indonesia, Japan, and the United States in the 1930s. Centered in Yogyakarta and Denpasar, Endo’s research will combine archival and oral history collections with dialogue and embodied practice involving local dancers and scholars, exploring how marginalized bodily knowledge and somatic techniques are translated and reconfigured across cultures. In particular, she seeks to reposition the practices of Japanese-American women dancers historically marginalized in wartime Japanese dance studies, examining how Asian diasporic bodies negotiated expressive possibilities under colonial cultural policies and global imaginaries. She aims to make overlooked practices visible and to offer new models and perspectives for intercultural knowledge exchange mediated through the body.

Seiko HIHARA

• 2026
• Visual Art
• Japan から Vietnam

To conduct research across Vietnam on the history of ethnic embroidery, the social role of handicrafts and handwork, and labor in the garment industry. Hihara’s research has a particular focus on tailoring traditions and individual craftsmanship developed during the French colonial period, which have become obscured within contemporary industrial systems. She will also carry out interviews with workers who have experience working in Japan, examining the structures embedded in textile production and handwork in relation to historical and social contexts. She will further examine the transformation of minority embroidery practices into the souvenir economy in the north and, through engagement with local communities, reflect on the structures embedded in textiles, seeking to make visible what remains unseen in Japanese society.

Serene HUI

• 2026
• Visual Art
• Hong Kong から United States

To explore how Asian diasporic and multigenerational immigrant artists use archives and theoretical writings to articulate migration, identity, and the construction of place and time, considering future possibilities for interdisciplinary expression.

Thuan Uyen Le

国/地域:
• Vietnam

• 2019
• へのグラント ACC Taiwan Foundation

• 2016
• Visual Art
• Vietnam から United States

Grant supplement to support curatorial residency at Triangle Arts Association.* *Uyen was placed at Art in General instead because Triangle director Laurel Ptak moved to AiG.

• 2016
• Visual Art
• Vietnam から United States

for a six-month grant to explore contemporary visual arts and curatorial practice in New York City.

SU Meng-Hung

• 2026
• Visual Art
• Taiwan から United States

To revisit and further examine the relationships between high and low culture, craftsmanship, and the translation of East Asian imagery within the context of contemporary art. Through in-depth dialogue with art critic Barbara Pollack (ACC 2006, 2015) and intensive visits to major museums, Su aims to further develop the conceptual and theoretical framework of his artistic practice. Concurrently in his capacity as Director of the Kuandu Museum of Fine Arts (KdMoFA), Su will study the university and institutional art museum systems in North America, observing approaches to collection management, curatorial practice, public programming, and fundraising structures. Through this cultural exchange experience, Su hopes to deepen his artistic research while also refining the institutional vision and management strategies of KdMoFA.

Nakrob MOONMANAS

• 2026
• Visual Art
• Thailand から United States

To explore international constructions of Thai identity and the lived experiences of Thai diasporic communities through researching Chang and Eng Bunker, conjoined twins brought to the U.S. from Siam in the 18th century. Moonmanas believes the Bunker brothers reflect an early history of displacement and Siam-U.S. cross-cultural encounters and raise deep questions about memory, migration, and the formation of identity. Through archival research and interviews with the twins’ descendants, he hopes to understand how their story has been remembered, interpreted, and connected to broader narratives of Thai diasporic experiences. Meeting members of New York’s Thai community, especially arts and culture professionals, as well as scholars and artists who work on Southeast Asian history and contemporary art will further enhance his research and international networks.

Britt MOSELEY

• 2026
• Visual Art
• United States から Indonesia

To explore shared models of making and collective learning and to study how creative systems form deeper attunement with one’s environment. Moseley’s audio-oriented, multidisciplinary research will engage Indonesian sound artists, artist collectives, and traditional performers to explore new models of creative exchange and collective learning. Through conversations, studio visits, attending performances, museum visits, and workshops, he hopes to learn how Indonesian communities treat making— pottery, puppetry, instrument building, or collective performance—as a form of shared perception and cultural continuity. Moseley’s fellowship will inform the next phase of his own practice, which is shifting toward collaborative, systems-based art grounded in ecology and community.