グランティを検索/絞り込むTo engage with women’s pedagogical roles and embodied knowledge systems within the musical form of Dhrupad, while extending the inquiry to encompass broader sound traditions, oral practices, and instrument-making cultures embedded within Nepal’s plural cultural landscape.
詳細はこちらTo explore traditional Vietnamese music, including that of the H’mong and Jarai people, through the study of the Dan K’ni—the mouth violin.
詳細はこちらTo expand the field of instrument design and sculpture through SOUND CONSTRUCTION, a project creating an ensemble of hybrid instrument sculptures that combine instrument craftsmanship from the U.S. and Taiwan.
詳細はこちらTo attend the 2024 Aspen Music Festival and School (AMFS) program in Aspen, Colorado.
詳細はこちらTo pursue a Doctor of Musical Arts at the University of Kentucky, continuing research to provide Indonesian audiences with an enriching experience of art.
詳細はこちらTo complete a program of study leading to a Ph.d in ethnomusicology at the University of Washington
To continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington in summer 1994.
to continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington
To continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington during 1990-91.
Continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington during the 1989-90 academic year.
To continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington during the 1988-89 academic year.
Continue to study ethnomusicology in a program leading to the M.A. degree at Weslyan University, and attend performances and other cultural events in New York in fall 1982.
to continue to study ethnomusicology in a program leading to the M.A. degree at Wesleyan University and to attend performances and other cultural events in New York.
詳細はこちらTo conduct research on sound sculptures, interact with the experimental and electronic music scene in New York, and examine the relationship between people and the environment.
詳細はこちらTo pursue a Doctor of Musical Arts at UC San Diego and to participate in collaborative learning, innovative percussion recitals, commissioning new works, and research into Asian theater studies.
詳細はこちらTo conduct research in Indonesia concerning repatriation strategies for the first published recordings of music in Bali
Next stage of research among older musicians and performing artists in Bali in connection with annotated study of archival recordings
to participate in a seminar on Indonesian performing arts to be held at the National Academy of the Arts in Solo and to undertake music research in Bali
to conduct resarch in Indonesia on the role of vocal music in the performing arts of Bali
詳細はこちらTo learn the traditional Japanese art forms focusing on Tokiwazu style Shamisen and Nihon-buyo, and by understanding their cultural context, to find further possibilities for the contemporary developments of traditional Taiwanese theater and music.
To collaborate virtually to explore the intersection of contemporary and traditional music.
詳細はこちらTo discover a new language of music through cultural exchange as well as to seek the possibility for innovative collaboration with diverse art and contemporary music in New York.
詳細はこちらto enable you to receive training in computer music software at the University of California, San Diego (UCSD)
詳細はこちら配信を希望するニュースレターを選択:
ご登録ありがとうございます。
エラーが発生しました。
ACC New York
ACC New York
ACC New York
ACC New York