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American Dance Festival

For an oral history of ADF’s role in nurturing the development of contemporary dance in China, beginning in the 1980s, until the present.

to enable four dance professionals from the U.S. to travel to China to work towards fostering partnerships with several companies and academies across the country

to supplement a 2018 grant supporting the participation of 4 dance artists from Southeast Asia in the American Dance Festival's 2019 International Choreographers Residency Program

a Project Grant to enable 4 dance artists from Southeast Asia to participate in the American Dance Festival in summer 2019

A Project Grant to enable 5 dance artists and 1 dance scholar from Southeast Asia to participate in the American Dance Festival in summer 2018

to support Indonesian dance artist Ali Sukri's participation in the 2014 International Choreographers Residency Program

to enable two choreographers from Henan University to participate in the International Choreographers Residency Program in summer 2011

for the participation of eight dancers from China in the International Choreographers Residency Program at ADF in summer 2011

to enable ADF co-director Jodee Nimerichter to travel to Shanghai in January 2006 to discuss with partner organizations there plans for an American Dance Festival program in China

to enable Indonesian dance artist Martinus Miroto to participate in the International Choreographers Commissioning Program at ADF in summer 2005

to enable Dai Jian from Guangdong, China, to participate in ADF's six-week school in summer 2004

support for choreographer Akiko Kitamura to participate in the International Choreographers Commissioning Program in summer 2003

support for ADF co-director Stephanie Reinhart and project consultant Chiang Ching to travel to China in April 2001 to explore possibilities for an ADF program in China

to support the participation of choreographers Li Hanzhong and Ma Bo in the ADF International Choreographers Program

to support the fall 1997 American tour of the Guangdong Modern Dance Company

to support the participation of Guangdong Modern Dance Company choreographer Shen Wei in ADF's 1995 International Choreographers Commisioning Program

to enable dance scholars Malbourg Kim from Korea and Sal Murgiyanto from Indonesia to attend the International Dance Critics Conference at the American Dance Festival in summer 1994

to enable three dance critics from Asia to attend the Dance Critics' Conference at the American Dance Festival in summer 1993

to enable members of the Guangdong Modern Dance Company to study and perform at the American Dance Festival in summer 1991

to enable four choreographers and dancers from China participating in the summer 1986 Festival to spend one month in New York observing dance activities

to support the participation of three choreographers from Asia in the International Choreographers' Workshop at the American Dance Festival in summer 1985

to support the participation of modern dance companies from Indonesia and the Philippines in the Festival's fiftieth anniversary program held at Duke University in summer 1984

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Association for Asian Studies

for "Visualizing and Envisioning Asia: Films, Documentaries and Advocacy in Southeast Asia and South Asia,” a program of film screenings and virtual roundtables that will bring together film and documentary directors, producers, and actors from Asia’s lesser-known regions.

Organization/Project Grant to bring artists and museum curators from Asia to participate in a roundtable discussion on "Decolonizing Southeast Asian Art and Art History" at the Association’s annual conference.

a Project Grant to bring four artists from Asia to the U.S. to participate in a roundtable discussion on arts under military occupation during the 2019 AAS Annual Conference

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Gitameit Friends USA

for the continuation of a collaborative project between Gitameit in Yangon, Myanmar, and faculty and students at SUNY New Paltz exploring, spirit worship and the practice of tolerance in Myanmar.

To examine religious tolerance in Myanmar by engaging master artists and students at Gitameit in Yangon with the community of musicians and students studying Burmese music at SUNY New Paltz

support exchange and collaboration between artists in Burma and artists from the United States and Asia

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Asian Art Museum of San Francisco

Organization/Project Grant to provide support for Hope Sessions, a series of online panel discussions moderated by curators in Asia and the U.S. to initiate dialogue around what art will look like in the post-COVID-19 future.

To support cultural preservation programs in Mongolia, a project to be undertaken by Hal Fischer at the Fine Arts Museum in Ulaanbaatar

To support the Museum's cultural preservation programs in Mongolia (D-98560)

To allow Teresa Heady to undertake a teaching residency in conservation and collections handling at the University of Art and Culture in Mongolia

To enable Dorjiin Enkhtugs, director of the Museum of Theater and Art in Ulaanbaatar, Mongolia, to undertake a three-month internship at the Asian Art Museum of San Francisco, the California Academy of Sciences, and the Phoebe Apperson Hearst Museum of Anthropology at the University of California, Berkeley, in summer 1994

To provide support for travel to Mongolia by two curators and a conservator from the Asian Art Museum of San Francisco in preparation for a major exhibition of art from Mongolian collections to be presented at the museum in 1995

To support curatorial research and discussions in Vietnam in connection with an exhibition of Vietnamese art being planned by the Asian Art Museum

To support the publication of a catalogue accompanying the exhibition "Essence of Indian Art," shown at the Asian Art Museum of San Francisco in fall 1986

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Collaborative Cataloging Japan

A 9-month Organization/Project Grant to support the formation of a network of artists, researchers, archivists, and the public across Japan and the U.S. to engage in online conversations, research, and presentations about media and art of the 1970s Japan

A grant supplement to support the formation of a network of artists, researchers, archivists, and the public across Japan and the U.S. to engage in online conversations, research, and presentations about media and art of the 1970s Japan

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Savong Foundation

To conduct an intensive one-month program of virtual workshops for traditional musicians from the Royal University of Fine Arts in Cambodia

To support two online composition workshops led by Chinary and Susan Ung held in Phnom Penh in August and September 2020

To support a composition residency and workshop by Chinary and Susan Ung at the Royal University of Fine Arts in Phnom Penh

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Florina Capistrano-Baker

To conduct fieldwork on Hindu-Buddhist monuments, sculptures, and rituals in India and Indonesia to retrace the history of the pre-colonial Philippines

to survey exhibition and museum activities in Japan in September 2005

To continue to study art history in a program leading to the Ph.D. degree at Columbia University, beginning in September 1983

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