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Nursalim Yadi Anugerah

To observe and participate in the experimental music scene in New York, while learning how artists and institutions use sound-making as a tool of music diplomacy to help enhance communities and build bonds both locally and internationally.

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Bridge for the Arts and Education

To conduct a workshop series facilitated by five artists from Malaysia and Japan involving open rehearsals and artist's talks to explore the link between Asian performance and the theme of death and rebirth through philosophy, movement, and sound.

A music workshop and open forum for artists from Asia coming to Japan to participate in a production of the Mahabharata that will be held as part of the official cultural events for the 2021 Olympic Games in Tokyo.

A 6-month Organization/Project Grant to support a joint film project around Hiroshi Koike’s Mahabharata Series with participating artists from nine countries across Asia

to support cross-cultural workshops in Jogjakarta for performing artists from Japan and Southeast Asia to create a collaborative interpretation of the Mahabharata

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Ayos Purwoaji Surip Mawardi

To observe and participate in the vibrant contemporary art scene in New York by visiting various exhibitions and art spaces, in addition to meeting artists, curators, and thinkers.

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Endo Suanda

To complete a program of study leading to a Ph.d in ethnomusicology at the University of Washington

To continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington in summer 1994.

to continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington

To continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington during 1990-91.

Continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington during the 1989-90 academic year.

To continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington during the 1988-89 academic year.

Continue to study ethnomusicology in a program leading to the M.A. degree at Weslyan University, and attend performances and other cultural events in New York in fall 1982.

to continue to study ethnomusicology in a program leading to the M.A. degree at Wesleyan University and to attend performances and other cultural events in New York.

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Eko Supriyanto

to continue M.A. program at UCLA

To continue a program of study leading to the M.F.A. degree in the Department of World Arts and Culture at the University of California, Los Angeles

to continue a program of study leading to an M.F.A. degree

to continue a program of study leading to an M.F.A. degree

Graduate study in dance at UCLA

study leading to an M.F.A. degree in the department of world arts and cultures at the University of California

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American Dance Festival

For an oral history of ADF’s role in nurturing the development of contemporary dance in China, beginning in the 1980s, until the present.

to enable four dance professionals from the U.S. to travel to China to work towards fostering partnerships with several companies and academies across the country

to supplement a 2018 grant supporting the participation of 4 dance artists from Southeast Asia in the American Dance Festival's 2019 International Choreographers Residency Program

a Project Grant to enable 4 dance artists from Southeast Asia to participate in the American Dance Festival in summer 2019

A Project Grant to enable 5 dance artists and 1 dance scholar from Southeast Asia to participate in the American Dance Festival in summer 2018

to support Indonesian dance artist Ali Sukri's participation in the 2014 International Choreographers Residency Program

to enable two choreographers from Henan University to participate in the International Choreographers Residency Program in summer 2011

for the participation of eight dancers from China in the International Choreographers Residency Program at ADF in summer 2011

to enable ADF co-director Jodee Nimerichter to travel to Shanghai in January 2006 to discuss with partner organizations there plans for an American Dance Festival program in China

to enable Indonesian dance artist Martinus Miroto to participate in the International Choreographers Commissioning Program at ADF in summer 2005

to enable Dai Jian from Guangdong, China, to participate in ADF's six-week school in summer 2004

support for choreographer Akiko Kitamura to participate in the International Choreographers Commissioning Program in summer 2003

support for ADF co-director Stephanie Reinhart and project consultant Chiang Ching to travel to China in April 2001 to explore possibilities for an ADF program in China

to support the participation of choreographers Li Hanzhong and Ma Bo in the ADF International Choreographers Program

to support the fall 1997 American tour of the Guangdong Modern Dance Company

to support the participation of Guangdong Modern Dance Company choreographer Shen Wei in ADF's 1995 International Choreographers Commisioning Program

to enable dance scholars Malbourg Kim from Korea and Sal Murgiyanto from Indonesia to attend the International Dance Critics Conference at the American Dance Festival in summer 1994

to enable three dance critics from Asia to attend the Dance Critics' Conference at the American Dance Festival in summer 1993

to enable members of the Guangdong Modern Dance Company to study and perform at the American Dance Festival in summer 1991

to enable four choreographers and dancers from China participating in the summer 1986 Festival to spend one month in New York observing dance activities

to support the participation of three choreographers from Asia in the International Choreographers' Workshop at the American Dance Festival in summer 1985

to support the participation of modern dance companies from Indonesia and the Philippines in the Festival's fiftieth anniversary program held at Duke University in summer 1984

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Joned Suryatmoko

To continue in the fourth year of a Ph.D. program in theater and performance at The Graduate Center, CUNY.

To continue in the third year of a Ph.D. program in theater and performance at The Graduate Center, CUNY

to continue in the second year of a Ph.D. program in theater and performance at The Graduate Center, CUNY

A 1-year Graduate Scholarship to provide for travel and living expenses during the first year of a Ph.D. program in theater and performance at The Graduate Center, CUNY

for a six-month grant to observe contemporary theater activities and to be in residence as a visiting scholar at the Martin E. Segal Theatre Center in New York City, beginning in fall 2016.

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