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Association for Asian Studies

for "Visualizing and Envisioning Asia: Films, Documentaries and Advocacy in Southeast Asia and South Asia,” a program of film screenings and virtual roundtables that will bring together film and documentary directors, producers, and actors from Asia’s lesser-known regions.

Organization/Project Grant to bring artists and museum curators from Asia to participate in a roundtable discussion on "Decolonizing Southeast Asian Art and Art History" at the Association’s annual conference.

a Project Grant to bring four artists from Asia to the U.S. to participate in a roundtable discussion on arts under military occupation during the 2019 AAS Annual Conference

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Sourav Chakma

to support a journey by a Bangladeshi musician to the United States for research on Native American music traditions, preservation of musical forms, and the evolution of traditional musical practices.

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Mamunur Rashid

To travel from New York to San Francisco in order to meet with members of the San Francisco Mime Troupe and to discuss with them plans for the development of a new collaborative theater project involving the Mime Troupe and your theater company in Bangladesh.

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Enamul Haque

To support continued research on sculpture of Bengal and Bihar in the United States

To conduct research on sculpture from Bengal in public and private collections in the United States

to participate in the Seminar on Preservation and Conservation of Cultural Properties, New Delhi, February 1972, and to survey the effects of the war in Bangladesh on works of art and museums.

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Perween Hasan

Participate in the American Committee on South Asian Art's Symposium on South Asian Art held in Denver, Colorado in spring 1983, and to complete a program leading to the Ph.D. degree in art history at Harvard University in spring 1984

Participate in the American Committee on South Asian Art's Symposium on South Asian Art held in Denver, Colorado in spring 1983, and to complete a program leading to the Ph.D. degree in art history at Harvard University in spring 1984

to continue to study in a program leading to the Ph.D. degree in art history at Harvard University.

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